Friday, February 24, 2017

The agency of color

More on the experience of color....which black is not--rather it is one of agency--since what we call black is in fact darkness.



SEEING/ SOUNDING/ SENSING: CAST’S FIRST SYMPOSIUM INVESTIGATES THE SENSES AND WHAT IT MEANS TO BE AESTHETIC

Posted on December 18, 2014 by Sharon Lacey
In his keynote address for CAST’s first symposium, Seeing/ Sounding/ SensingBruno Latour (Professor at the Institut d’études politiques de Paris) observed that “Much of our philosophy comes from the still life; it’s a disease of the Dutch. Descartes and Locke spent a lot of time in Holland and saw too many still lifes.” With the joking aside, Latour elaborated on how the still life is emblematic of “matters of fact,” which dull the senses.
The traditional relationship between subject and object that a still life sets up is false. Citing the art historian Erwin Panofsky’s writings on perspective, Latour emphasized the artificiality of the construct in which a subject views objects through an imaginary plane with monocular vision. In reality, objects have a trajectory; they are not fixed. Latour suggested that to be aesthetic – in its true etymological sense, meaning “to make oneself sensitive to” – it is better to imagine oneself in motion in the world.
Latour’s directive to approach things dynamically and from all sides could be seen as the guiding principle of the symposium itself. The symposium’s organizers MIT Professors Caroline Jones and Stefan Helmreich, along with Mellon postdoctoral fellow David Mather, brought together artists, philosophers, cognitive neuroscientists, historians, anthropologists and scholars from various branches of the humanities to contribute to this cross-disciplinary investigation of the senses. The speakers explored their respective subjects, “Seeing/Color,” “Sounding/ Resonance” and “Sensing/ Action,” with kaleidoscopic diversity, each illuminating another aspect of sensory experience. Latour stated “I will make no distinction – because that is the goal of our symposium – between making oneself sensitive through scientific instruments or making oneself sensitive through the arts,” and in that spirit, each of the three panels involved researchers from both the science and arts communities.
Seeing/ Color
Caroline Jones (Professor of Art History; History, Theory and Criticism of Architecture and Art Program, MIT) explained how the panel “Seeing — Color,” would eschew the traditional approach to color in which scientists deal with things like wavelength and artists deal with things like hue; instead Artist Tauba Auerbach talked about color and mathematics, and neuroscientist Bevil Conway talked about about color’s emotional and affective properties. Tauba Auerbach, who works in a broad range of artistic media, including painting and book arts, spoke of how we are bound by our biology to see differently from one another and how her interests in tetrachromacy and the fourth dimension inform her work. Bevil Conway (Associate Professor of Neuroscience, Wellesley and Lecturer on Neurobiology, Harvard Medical School) focused on the computational goals of color and the way the brain achieves these goals. Conway explained the primary role of color is not simply to aid in object segmentation, but rather as a trainable system that facilitates the rapid detection of behaviorally relevant objects. As Latour noted, Conway showed that color is not fixed and is based on a temporal dimension, rather than a spatial one.
Sounding/ Resonance
“Sounding/ Resonance” brought together a musician, a cognitive scientist, musicologists and historians to discuss the manifold topics related to human audition and the “sonic, tactile and haptic” qualities of resonance. In his introduction to the panel, Stefan Helmreich (Elting E. Morison Professor of Anthropology and Head, Anthropology Department, MIT), mentioned the image of the human as the Aeolian harp – as a sensitive, an attuned being. This metaphor was the  Romantic counterpart to Latour’s definition of aesthetic. Beyond addressing the technological, historical and scientific approaches to understanding sound, the speakers commented on the larger issue of sensitivity. For instance, in his interview with Brian Kane (Assistant Professor of Music Theory, Yale University), composer Alvin Lucier (John Spencer Camp Professor of Music, Emeritus, at Wesleyan University) shared his prescription for creative exploration: “It’s wonderful to have a blank mind. You’ll let anything enter.” He had offered this response to the naysayers who thought using brain wave amplifiers in Music for a Solo Performer was a gimmick. When asked about Latour’s definition of aesthetics, Lucier responded that his work sometimes prompted listeners to be attentive to the process of hearing itself rather than to focus on the music as something external to them. Josh McDermott’s (Assistant Professor in the Department of Brain and Cognitive Sciences, MIT) talk on auditory perception seemed like something of a primer for listening to Lucier. He explained the way sound waves interact with room acoustics on the way to the ear, the very phenomenon that Lucier exploits in I Am Sitting in a Room and In Memoriam Jon Higgins, the pieces featured in the evening concert.
Sensing/ Action
The panelists in “Sensing/ Action” addressed concerns closely linked to the topics put forth in Latour’s keynote. Carrie Lambert-Beatty brought up the idea that neural activity depends on interaction with the world. Artist Tomás Saraceno’s discussion of his work On Space Time Foam in the Hangar Bicocca Milan (2012) in relation to his fascination with the “butterfly effect” and the notion of proxemics (from the book The Hidden Dimension) echoed Latour’s thoughts on the implausibility of a fixed face-to-face interaction with our environment. Latour pointed out in his critique of the “still life” scenario that not only are subject and object in flux, but also the background itself, planet Earth, is changing in our current climate crisis and requires new responses. Saraceno’s ever-shifting mutable installations create exactly this kind of fluctuating environment, which challenges us to find unusual ways to sense our world.
Tomas Saraceno’s “On Space Time Foam,” Hangar Bicocca Milan, 2012. Photo: Barry Hetherington.
Tomas Saraceno’s “On Space Time Foam,” Hangar Bicocca Milan, 2012. Photo: Barry Hetherington.
Neuroscience and Humanities/ Intersections
With the burgeoning influence of neuroscience into an ever-expanding number of disciplines, there is diverse group of academics who want to drink from this particular cross-disciplinary fount. Natasha Schüll mentioned her work in neuroeconomics in the “Sensing” panel, but recent years have also seen a number of forays in the neuro-humanities. The attendance at CAST’s Symposium was evidence of growing enthusiasm for this kind of scholarly exchange; there were nearly 800 registrants from destinations across Europe and North America representing a wide array of humanities and visual arts disciplines with many more participants viewing the proceedings online. 
The two-day event highlighted some of the intriguing intersections among the arts and sciences, not the least of which is the drive to put theory into practice. Artists and scientists alike probe the realities of sense experience, albeit with different tools, as Latour pointed out. The symposium’s concluding concert, which featured performances by Alvin Lucier, Evan Ziporyn and Arnold Dreyblatt, reinforced the theoretical discussions with experiential knowledge of sound itself and of our own abilities to sense and to be aesthetic.
View the CAST symposium in its entirety or read full transcripts of all the sessions.
Associate Provost & Ford International Professor of History Philip Khoury introduces the CAST Symposium. Photo: L. Barry Hetherington.
Associate Provost & Ford International Professor of History Philip Khoury introduces the CAST Symposium. Photo: L. Barry Hetherington.
Evan Ziporyn introduces the Evening Performance, CAST Symposium, 2014. Photo: L. Barry Hetherington.
Evan Ziporyn introduces the Evening Performance, CAST Symposium, 2014. Photo: L. Barry Hetherington.

Wednesday, December 11, 2013

Artists on Artists | Art Spiegelman on the Varied Craft of Ad Reinhardt


Artists on Artists | Art Spiegelman on the Varied Craft of Ad Reinhardt


An illustration by Ad Reinhardt from the leftist newspaper PM, circa 1943-1947.© 2013 Estate of Ad Reinhardt/Artists Rights Society (ARS), New York; courtesy David Zwirner, New York/LondonAn illustration by Ad Reinhardt from the leftist newspaper PM, circa 1943-1947.
It’s been a banner year for the cartoonist Art Spiegelman, regarded by many as the father of the contemporary graphic novel. Long revered for “Maus,” his Pulitzer Prize-winning concentration camp epic (published in two parts in 1986 and 1991), the artist’s work is broader than many realize, as his retrospective at the Jewish Museum in New York (through March 23, 2014) reveals. The show, which has already appeared in Europe and Canada, includes Spiegelman’s early Wacky Pack and Garbage Pail Kids sketches, and closes with more recent projects, like a performance he choreographed and designed with the dance troupe Pilobolus and a colored-glass window representing an art student’s life that he made for his alma mater, the High School of Art & Design in New York. In October, Spiegelman published his monograph, “Co-Mix” (Drawn & Quarterly), and premiered his hybrid slide-show-talk-concert “Wordless!,” which focuses on the woodcut novels of early-20th-century artists like Lynd Ward, at the Sydney Opera House. It runs for one night at the Brooklyn Academy of Music on Jan. 18.
One artist who fascinates Spiegelman is the rigorous abstractionist Ad Reinhardt. Renowned for his all-black paintings, he had a simultaneous career as a cartoonist. An exhibition exhibition at David Zwirner gallery in Chelsea through Dec. 18, which celebrates what would have been his 100th birthday, uses his paintings, photographs and cartoons to showcase his multiple talents. Early in his career, Reinhardt worked as a graphic designer and political satirist. In 1946, with modern art growing in popularity, he created a cartoon series called “How to Look,” a collection of cleareyed (and hilarious) analyses of subjects like Cubism, Surrealism and abstraction. Made with collaged engravings, encyclopedia pages and newspaper ads, as well as pen, ink, pencil and brushes, they start out suggesting educational comics, becoming increasingly sophisticated over the years.
At left, an illustration by Art Spiegelman for the May/June 1981 issue of Print Magazine. At right, an untitled illustration by Ad Reinhardt.Courtesy of Drawn + Quarterly; © 2013 Estate of Ad Reinhardt/Artists Rights Society (ARS), New York; courtesy David Zwirner, New York/LondonAt left, an illustration by Art Spiegelman for the May/June 1981 issue of Print Magazine. At right, an untitled illustration by Ad Reinhardt.
Here, Spiegelman on Reinhardt:
“Reinhardt is a riddle. I first saw his work in the early 1960s when I was in high school. We were a short walk from the MoMA. My tastes were incredibly provincial — Magritte and Dali were easier to look at than abstract postwar American painting. I was far more interested in obscure comics than in the rarefied conversation that was still going on among the Abstract Expressionists. But at some point, a friend pointed out Reinhardt, saying, ‘Just stop and look at it — it’s not black.’ If you look at these long enough for the blacks to become more liminal, then something happens. As I was recently told, they can function like mandalas, opening up areas that can take you out of yourself.
“Since my old LSD days, I’m just not very open to that. I’m interested in words and pictures. But in 1976, when Reinhardt had a show of these ‘How to Look’ pages at a New York gallery, I realized he was deeply engaged as a cartoonist. It was a revelation to find out that he was a great manipulator of words and pictures before he went over to the, um, dark side.
“Seeing this stuff again, it’s fascinating to find how little the cartoons are in person, and how jewel-like in their making. Because of their size, they seem quite humble. And while the ideas move from box to box, the visuals are collages of his modernist cartooning with old wood engravings. He used the Surrealism that he mocked in his text to invent a new form of comics as essays. When I walked into the gallery I realized how constructed these works are, how much attention it took to make them. This was a fully realized enterprise by somebody who really knew his business. You could see the loving craftwork. Reinhardt was making this art for reproduction, and when you see someone putting white paint on either side of a line to make it crisper, you know it’s somebody who really cares about that line.”

Monday, October 14, 2013

AB EX NY: Ad Reinhardt

Tuesday, August 13, 2013

A Black Hole Mystery Wrapped in a Firewall Paradox


A Black Hole Mystery Wrapped in a Firewall Paradox



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This time, they say, Einstein might really be wrong.
Jim Wilson/The New York Times
Raphael Bousso.
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Jim Wilson/The New York Times
Leonard Susskind.

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A high-octane debate has broken out among the world’s physicists about what would happen if you jumped into a black hole, a fearsome gravitational monster that can swallow matter, energy and even light. You would die, of course, but how? Crushed smaller than a dust mote by monstrous gravity, as astronomers and science fiction writers have been telling us for decades? Or flash-fried by a firewall of energy, as an alarming new calculation seems to indicate?
This dire-sounding debate has spawned a profusion of papers, blog posts and workshops over the last year. At stake is not Einstein’s reputation, which is after all secure, or even the efficacy of our iPhones, but perhaps the basis of his general theory of relativity, the theory of gravity, on which our understanding of the universe is based. Or some other fundamental long-established principle of nature might have to be abandoned, but physicists don’t agree on which one, and they have been flip-flopping and changing positions almost weekly, with no resolution in sight.
“I was a yo-yo on this,” said one of the more prolific authors in the field, Leonard Susskind of Stanford. He paused and added, “I haven’t changed my mind in a few months now.”
Raphael Bousso, a theorist at the University of California, Berkeley, said, “I’ve never been so surprised. I don’t know what to expect.”
You might wonder who cares, especially if encountering a black hole is not on your calendar. But some of the basic tenets of modern science and of Einstein’s theory are at stake in the “firewall paradox,” as it is known.
“It points to something missing in our understanding of gravity,” said Joseph Polchinski, of the Kavli Institute for Theoretical Physics in Santa Barbara, Calif., one of thetheorists who set off this confusion.
Down this rabbit hole are many of the jazzy magical mysteries of modern physics: Black holes. The shortcuts through space and time called wormholes. Quantum entanglement, also known as spooky action at a distance, in which particles separated by light-years can still instantaneously appear to remain connected. The reward for going down this hole could be a new understanding of why we think we live in a universe with space and time at all, with suitably unpredictable consequences. After all, if Einstein hadn’t been troubled a century ago by logical inconsistencies in the Newtonian universe, we might not have GPS systems, which rely on his theory of general relativity to keep time, in our pockets today.
Falling Bodies
Black holes are the most extreme predictions of Einstein’s theory, which describes how matter and energy warp the geometry of space and time the way a heavy sleeper causes a mattress to sag. Too much matter and energy in one place could cause space to sag so far that the matter inside it would disappear as if behind a magician’s cloak, collapsing endlessly to a point of infinite density known as a singularity. Einstein thought that idea was ridiculous when it was pointed out to him at the time, in 1916, but today astronomers agree that the universe is speckled with such dark monsters, including beasts lurking in the hearts of most galaxies that are millions and billions of time more massive than the Sun. Many of them resulted from the collapse of dead stars.
General relativity is based on what Einstein later called his “happiest thought,” that a freely falling person would not feel his weight. It is known simply as the equivalence principle; it says that empty space looks the same everywhere and to everyone.
One consequence of this principle is that an astronaut would not feel anything special happening when he fell through the point of no return, known as the event horizon, into a black hole. Like a bungee jumper, he would feel weightless then and all the way until he hit the bottom, which could take seconds or years depending on how big the hole was, and he would be stretched like a noodle by tidal forces and then crushed into a speck. At the event horizon there would be “no drama,” in the lexicon — at least in the physical sense, as opposed to the intellectual trauma of knowing you were not ever going home. Things or people went in, they got crushed to infinite density and disappeared. That was the traditional view of black holes.
Things got more interesting, however, in 1974 when Stephen Hawking, the British cosmologist, stunned the world by showing that when the paradoxical quantum laws that describe subatomic behavior were taken into account, black holes would leak particles and radiation, and in fact eventually explode, although for a hole the mass of a star it would take longer than the age of the universe.
This was a breakthrough in combining general relativity, the gravity that curves the cosmos, with quantum theory, which describes the microscopic quirkiness inside it, but there was a big hitch. Dr. Hawking concluded that the radiation coming from a black hole would be completely random, conveying no information about what had fallen into it. When the black hole finally exploded, all that information would be erased from the universe forever. “God not only plays dice with the universe,” Dr. Hawking said in 1976 in a riposte to Einstein’s famous doubts about the randomness of quantum theory, “he sometimes throws them where they can’t be seen.”
Particle physicists cried foul, saying that this violated a basic tenet of modern science and of quantum theory, that information is always preserved. From the material in the smoke and flames of a burning book, for example, one could figure out whether it was the Bible or the Kama Sutra; the same should be true of the fizz and pop of black holes, these physicists argued. A 30-year controversy ensued.
It was front-page news in 2004 when Dr. Hawking finally said that he had been wrong, and paid off a bet.
The Firewall Paradox
Now, however, some physicists say that Dr. Hawking might have conceded too soon. “He had good reason,” said Dr. Polchinski, “but he gave up for the wrong reason.” Nobody, he explained, had yet figured out exactly how information does get out of a black hole.
That was the task that four researchers based in Santa Barbara — Ahmed Almheiri, Donald Marolf, and James Sully, all from the University of California, Santa Barbara, and Dr. Polchinski of the Kavli Institute set themselves a year ago. The team (called AMPS, after their initials) found, to their surprise, that following the known laws of physics would lead to a contradiction, the firewall paradox.
Their calculations showed that having information flowing out of a black hole was incompatible with having an otherwise smooth Einsteinian space-time at its boundary, the event horizon. In its place would be a discontinuity in the vacuum that would manifest itself as energetic particles — a “firewall” — lurking just inside the black hole.
Being incinerated as you entered a black hole would certainly contradict Einstein’s dictum of no drama. If this were true, you would in fact die long before the bungee-jumping ride ever got anywhere close to the bottom. The existence of a firewall would mean that the horizon, which according to general relativity is just empty space, is a special place, pulling the rug out from under Einstein’s principle, his theory of gravity, and modern cosmology, which is based on general relativity. This presented the scientists with what Dr. Bousso calls the “menu from hell.” If the firewall argument was right, one of three ideas that lie at the heart and soul of modern physics, had to be wrong. Either information can be lost after all; Einstein’s principle of equivalence is wrong; or quantum field theory, which describes how elementary particles and forces interact, is wrong and needs fixing. Abandoning any one of these would be revolutionary or appalling or both.
Dr. Polchinski was very surprised by the result. “It seemed like such a simple argument that it must have been considered and resolved earlier,” he said. After trying to kill it by talking to colleagues in Santa Barbara, he e-mailed Dr. Susskind of Stanford, an old hand at black holes and information, expecting that Dr. Susskind would point out the error.
“But after a week or two of disbelief,” Dr. Polchinski said, “he was as confused as we” were.
Dr. Susskind said: “The arguments are very clear. Nobody knew what to make of them.”
Quantum Vows
The firewall argument hinges on one of the weirder aspects of quantum physics, the action called entanglement. As Einstein, Boris Podolsky and Nathan Rosen pointed out in 1935, quantum theory predicts that a pair of particles can be connected in such a way that measuring a property of one — its direction of spin, say — will immediately affect the results of measuring the other one, even if it is light-years away.
Einstein used this “spooky action at a distance” to suggest the absurdity of quantum mechanics, but such experiments are now done in labs every day. You can’t use it to send a message faster than light, because the correlation shows up only when the two experimenters get together and compare their respective results. But it plays a crucial role in quantum computing and cryptography — and, it turns out, in explaining how information encoded in the Hawking radiation gets out of a black hole.
Consider two particles (let’s call them Bob and Alice) that have been radiated by a black hole. Bob left it eons ago, as it began leaking radiation; quantum entanglement theory dictates that in order for the black hole to keep track of what information it has been transmitting, Bob out there has to be entangled with Alice, who just left.
But that scenario competes with another kind of entanglement, between particles on either side of the event horizon, the black hole’s boundary. If space is indeed smooth, as Einstein postulated, and if quantum field theory is correct, Alice must be entangled with another particle, Ted, who is just inside the black hole.
But quantum theory forbids promiscuous entanglements. In the language of quantum information, Alice can marry either Bob or Ted, but not both, even if the second marriage happens inside the black hole where most of us can’t see it.
Alice should have a consistent explanation of the universe, Dr. Polchinski explained, “just as we ourselves must, even though we are inside the cosmic horizon.”
And so smoke pours from the AMPS group’s computers and has continued to pour from the particle accelerators of the mind, fueled by coffee and blackboard chalk this last year. Firewall or not? Does information live or die? Is Einstein at last wrong? Experiments would not help, even if we had a black hole in a laboratory, because the putative firewall, if it exists, would be just inside where it can’t be seen safely.
At a firewall workshop this winter, John Preskill, a Caltech theorist who won a bet with Dr. Hawking on the randomness of information from a black hole, declared that physicists were back where they had been 40 years ago.
The Menu From Hell
Dr. Bousso said his first response to the AMPS paper was, “Come on, you gotta be kidding me.” He added, “Everybody goes through their stages of grief.”
About 40 papers have been devoted to firewalls in the last year, and more are on the way. Daniel Harlow of Princeton and Patrick Hayden of McGill University suggested that the issue might be moot; the computation necessary to verify that Alice and Bob are entangled could take longer than the age of the universe and the black hole would evaporate in the meantime, making it impossible ever to go inside and experience the contradiction.
Failing that, which of the items on Dr. Bousso’s “menu from hell” might have to go depends on who is speaking.
In some ways, it would be easiest to give up quantum field theory, which describes what empty space should look like, in the case of someone who is being accelerated, perhaps by gravity pulling him down a black hole. After all, quantum theory, with “virtual” particles flitting in and out of existence and spooky entanglements is already strange. On the other hand, as Ed Witten of the Institute for Advanced Study, who has so far watched the firewall debate from a distance, said, “Quantum field theory is how the world works.” It had a major triumph just a year ago, when the Higgs boson, a subatomic particle responsible for the mass of other subatomic particles, was discovered after a 40-year search, at the Large Hadron Collider at CERN.
Meanwhile, physicists have more reason than ever to think that information cannot be lost. A celebrated 1997 paper by Juan M. Maldacena of the Institute for Advanced Study describes nature as a kind of hologram, in which the information about what happens inside a volume of three-dimensional space, for example, is encoded in quantum equations on its two-dimensional boundary, the way a 3-D image is encoded on the face of your bank card.
Mark Van Raamsdonk, a young theorist at the University of British Columbia, likes to use a spookier analogy to describe this, namely the chip that controls a Matrix-like video game. (Feel free to insert your own woo-woo music here.)
The discovery that the information needed to describe what happens in some volume is proportional to the area enclosing that volume is the strangest and most far-reaching consequence of Dr. Hawking’s discovery that black holes explode, and is still wreathed in mystery.
Dr. Maldacena’s universe is often portrayed like a can of soup, in which galaxies, black holes, gravity, stars and so forth, including us, are the soup inside, while the information to describe them resides, like a label, on the outside. Think of it as gravity in a can. The equations that represent the label are deterministic and there is no room in them for information to be lost, implying that information in the universe inside is also preserved.
Which leaves the firewall as the only way to stop the illegal marriage of Alice and Ted, Dr. Polchinski said — an odious solution because it contravenes the basic principle of general relativity.
He pointed out, however, that in a sense physicists had already thrown Einstein under the bus. In Dr. Maldacena’s holographic universe, considered to be the last word on quantum gravity, the dimensions of space-time do not seem to matter. “We’ve known for years that space-time is not fundamental,” Dr. Polchinski said. “General relativity is not fundamental.”
He went on, “space-time is emergent. Gravity is emergent. Maybe sometimes it doesn’t always emerge.”
Einstein’s Revenge
But if space and time and gravity are not fundamental, what is?
Recently a new way of solving the firewall conundrum and of answering that haunting question has attracted a lot of attention, although no consensus. Dr. Maldacena and Dr. Susskind have proposed that Einstein could come to his own rescue via one more far-out notion in modern physics: wormholes.
In 1935 Einstein and Rosen found that, mathematically anyway, black holes could come in pairs connected by shortcuts through space — then known as Einstein-Rosen bridges, now known as wormholes. A wormhole would not be traversable by any means we now know about, ruling out time travel and other violations of relativity, despite the dreams of science fiction writers and interstellar pioneers.
In 2010, Dr. Van Raamsdonk of British Columbia suggested that such wormholes were thegeometric manifestations of quantum entanglement. After all, neither of these phenomena, which seemed to transcend local space, could be used for sending direct messages. Brian Swingle at M.I.T. had made a similar suggestion a year earlier.
In effect, what these theorists were saying was that without the phenomenon of entanglement, space-time would have no structure at all. Or as Dr. Maldacena put it, “Spooky action at a distance creates space-time.” If true, this insight would be a step toward a longtime dream of theorists of explaining how space and time emerge from some more basic property of reality, in this case, bits of quantum information. The theorist John Wheeler, of Princeton, who had coined the term “black hole,” called this concept “it from bit.”
Taking this idea seriously, Dr. Maldacena and Dr. Susskind proposed that a similar kind of wormhole arrangement existed between the black hole in the AMPS case and its Hawking radiation. Instead of a tunnel snaking through hyperspace and opening at the maw of another black hole, the wormhole would split into a zillion spaghetti-like strands ending on each of the pieces of Hawking radiation. That would mean that Bob, the Hawking particle in the cartoon version of the theory mentioned above, might be light years away from the event horizon, but he would still be connected to the interior of the black hole, as if there were a doorway in New Jersey that opened up into a basement in Manhattan.
Because of this wormhole connection, Dr. Maldacena explained, “Ted and Bob are the same.” So the result is sort of like the happy ending of one of those screwball romantic comedies that involve mistaken identity and the handsome vagabond turns out to be the prince in disguise; Alice can marry Ted who is really Bob and the bonds of matrimony extend smoothly across the edge of the black hole.
In that case, then, there is no firewall, no contradiction in the laws of physics. And Einstein survives to fight another day.
“If right, this is clearly a major insight into gravity and quantum mechanics,” an enthusiastic Dr. Susskind said. “I think of it as a very dramatic thing,” he said, noting that long after Einstein’s career was presumed to be over, at 56, “he produced these ideas” of entanglement and wormholes having no idea they were connected.
“The man keeps giving.”
But Einstein is not safe yet.
“At first whiff,” Dr. Preskill wrote in a recent blog post, the Maldacena-Susskind conjecture “may smell fresh and sweet, but it will have to ripen on the shelf for a while.” He added, “For now, wormhole lovers can relish the possibilities.”
Entangled Theories
Dr. Maldacena and Dr. Susskind admit that the wormhole hypothesis is still a work in progress. Few of their colleagues are convinced yet that it has been formulated in sufficient detail, let alone that it can solve the firewall paradox. “All I can say,” Dr. Susskind said in an e-mail on the eve of a firewall workshop next week at the Kavli Institute where wormholes and everything else will surely be scrutinized, “is that no one has a completely solid case and that certainly includes me. Time will tell.”
Dr. Polchinski said, “My current thinking is that all the arguments that we are having are the kind of arguments that you make when you don’t have a theory.” We need a more complete theory of gravity, he concluded.
“Maybe ‘space-time from entanglement’ is the right place to start,” he wrote. “I am not sure.”
Dr. Bousso, who has been e-mailing with Dr. Maldacena, is skeptical that the wormholes will eliminate firewalls. “My own view is that it’s time to move on, accept, and actually understand firewalls,” he said. After all, he added, there’s no principle of nonviolence in the universe, except for Einstein’s equivalence principle, which says the black hole’s horizon is not a special place. But maybe it is, after all.
Meanwhile, Dr. Bousso said, the present debate had raised his estimation, “by another few notches,” of the “stupendous magnitude” of Dr. Hawking’s original discovery of the information paradox.
The firewall paradox,” he said, “tells us that the conceptual cost of getting information back out of a black hole is even more revolutionary than most of us had believed.”

The Firewall Paradox An unexpected paradox involving black holes pits two basic tenets of modern science against one another: the theory of quantum mechanics, which governs subatomic particles, and Einstein’s theory of general relativity, which explains how gravity works.


The Firewall Paradox

An unexpected paradox involving black holes pits two basic tenets of modern science against one another: the theory of quantum mechanics, which governs subatomic particles, and Einstein’s theory of general relativity, which explains how gravity works. Related Article »

IF INFORMATION IS NEVER LOST ...

According to quantum mechanics, information that falls into a black hole will not be lost forever. Even after the black hole explodes, the information contained in it can still be recovered.
If information cannot be lost, each particle that escapes from a black hole must be linked to another particle that escaped earlier.

AND SPACE-TIME IS SMOOTH ...

According to Einstein’s theory of general relativity, particles pass smoothly over the threshhold of a black hole. If the particle were a person, he or she would experience “no drama” at the border.
In order for space-time to be smooth, each particle that leaves a black hole must be linked to another particle inside the black hole.

THERE IS A PARADOX!

Particles can have only one link. When forced to choose between the two laws, physicists have generally sided with the idea that information is never lost.
If an exiting particle must be linked to a partner outside the black hole, it will have to break the link with its partner inside. The energy released in these breaks would create a “firewall” — a ring of fire around the black hole that violates the theory
of “no drama.”

A POSSIBLE SOLUTION?

If each escaping particle remains connected to the black hole through a wormhole, only one link would be required to connect the particles. Both laws of physics would be preserved.
The distant particle and the particle inside the black hole could be the same particle.